There are few CDs that I
come across in my reviews that upon hearing them, I search the
liner notes to see if the group has produced other albums. And,
though the music on The American Standard
by Dreadnaught does not possess the speedy, shredding guitar work
that dominates my CD collection, I was so compelled by the
strength of the composition in this album that I found myself
searching the liner notes for other albums by this amazing trio.
Though the instrumentation
does not show off any virtuoso, speedy fireworks, the polish
playing, selective voicings, and fine production applied to these
astounding arrangements left me with my jaw agape. This trio is
amazingly creative, inventive, and has an unusually strong grasp
on composition and arrangement that is the forte of the album.
This is not to say that these guys are not good players, because
they are. But if you are a music techie, when you listen to this
album, you will forget all you know about techie analysis of
guitar technique, etc. when you hear the musical vision that
these guys have invented. And now loyal followers of my reviews,
brace yourself for this... even the vocals are decent on this
album! (For those of you who are not familiar with my reviews,
this may be the first time in any review where I have not slammed
the vocals.) The sparsely applied vocals actually contribute in a
positive way on this album!
The musical vision on this
album is among the best that I have heard of the albums that I
reviewed in 2002. The music builds around catchy themes in a
manner that never sits still on the same theme for any longer
than it takes for the listener to digest it. It is an ever-changing
soundscape that just astounds me when I consider what it must
have taken to invent these arrangements and then to execute them
with the flawless precision that this trio has. The music's
character is mostly upbeat and lively, with the nonstop barrage
of hooks and changes being the most striking element in the music.
Dreadnaught has produced a
masterpiece with The American Standard that
all musicians should give a listen to consider the compositional
depth that is demonstrated. A lot of instrumental music focuses
on the musicians' technical abilities and loses sight of
composition as a primary objective. Habib, Walton, and Lord have
put together a fine performance on this album that has made an
obvious effort to keep composition as a primary objective. Great
job Dreadnaught! Can you send me the rest of your albums to
review? ... ;)
Guitar |
Justin S. Walton |
Bass |
Rober M. Lord |
Drums |
Richard R. Habib |
1) Ballbuster |
Deus Ex Machina |
-2) The Jester's Theme |
-3) Deneb |
-4) Tournament |
-5) Derby Days |
6) Popeye |
7) Bunnaschidt |
8) James Thresher Industries:
... |
9) Welding |
10) Kim Philby |
The Pumphaus Suite |
-11) Rats And Me |
-12) Swing |
13) Clownhead |
~ Christopher
Ruel ~ www.ChrisRuel.com ~ Chris@ChrisRuel.com ~ Chris Ruel's Monthly Spotlight

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