Gipsyole,
the debut release from the Los Ninos de Sara quartet of Alabino,
is a spirited, absorbing exposition of Spanish-flavored music
that establishes the ensemble as a legitimate contender in the
world music arena. A quick perusal of the exterior of the CD
sleave illustrating the quartet with acoustic guitarist is
somewhat misleading because this album is far richer in musical
texture than what is displayed on the sleave. The musical
ensemble that accompanies the Los Ninos de Sara quartet greatly
enhances the musical experience with a depth of musical texture
that is far beyond what the first impression of the CD cover
conveys. And, this well-constructed, richly textured musical
accompaniment that provides a fertile context for the quartet, is
supported with superb production that escalates the worthiness
and enjoyability of the entire effort to a notable caliber. A
more careful discernment of the CD liner note reveals the true
nature of this effort that involves many diverse instruments with
first rate production.
The pleasant surprise that
is presented by the richly textured context that is provided for
the quartet to perform is furthered by the quality of the
compositional content and guitar work that is performed within
this orchestral context that features exquisitely phrased and
voiced horn and piano accompaniment. Unlike some other performers
of similar style that fall into the pitfall of loose playing that
lacks precision, the Los Ninos de Sara players demonstrate an
excellent musical proficiency with their attention to precision
in articulation and timing, texturing of tones, and integration
of instrumentation to produce a complete and cohesive sound. This
clearly is not a band of wandering gypsies without musical
training, but is instead a band of well-trained musicians that
have a clear understanding of the complex music they are
executing with tight, calculated precision. And, the supporting
ensemble has been assembled with talented professionals worthy of
the world music they engage.
All of these things aside,
the forte of Gipsyole
is without a doubt the excellent composition and the well-felt
playing that articulates it. The compositions on
Gipsyole
strike a very enjoyable balance between complex harmonies,
disarming melody lines, carefully crafted chordal arrangements,
rhythmic tempos, deep feeling, and conducive listener
accessibility. The depth of the the compositional craftwork is
sufficient to keep the attention of a musically educated audience
but is also accessible enough to draw the interest of a much
wider general audience. The musical style draws from a number of
world music styles that are primarily oriented around the gypsy,
flamenco, Spanish and Latin sounds and rhythms with a hint of
Cuban and salsa stylisms in the instrumentation. But, the
continuous weaving of tasty harmonies and appealing melody lines
that are voiced by different instruments brings a surprising
degree of sophistication that is beyond this simplistic summary
of the style encompassed. The refined instrumentation is
constrasted by the somewhat dramatic vocals that have a tendency
towards emotional expressionism, as may be expected from gypsy-style
music. The end result of all of these factors is a unique and
compelling musical vision that draws the listener into the depth
of this world music experience.
The album covers a wide
range of appealing emotions, but is mainly upbeat and lively.
However, this positive force that drives the music is greatly
complemented by the CD's standout track, "Me Encuentro En Tu
Desierte", that is destined to become a classic for
summertime radio play. This track has a bittersweet, haunting
theme that is set to a Carribean-flavored progression that is
like forlorn sorrow floating on an ocean breeze that comforts it.
The contrast that "Me Encuentro En Tu Desierte" bears
to the remainder of the album is a stark contrast and because it
comes toward the end of the CD, it comes somewhat as a surprise
because it demonstrates an emotional depth of a type that was not
revealed in earlier tracks. But, the music is spirited throughout
and full of projection of a variety of emotions.
The depth of composition,
crafty execution, and fantastic production exceeded any
expectations I may have had for
Gipsyole.
Connoisseurs of world music with a penchant for Spanish and Latin
flavoring will be delighted to indulge in this harmonious
celebration of gypsy music. But the audience of
Gipsyole
is undoubtedly not limited to connoisseurs because this music may
also bring listening pleasure to fans of more commercial, vocal-based
Latin music with the added bonus of more satisfying musical
accompaniment en gratis with more long-lasting staying power than
the average commercial effort. This music should be widely
accessibility to and enjoyed by a general audience, and fans of
the musical style of bands like Acoustic Alchemy will likely
enjoy this CD. A superb debut release from the group that sets a
high water mark that will challenge them to exceed this
performance on ensuing efforts.
Los Ninos de Sara: Guitars,
Vocals |
Antonio, Ramon, Coco,
Santi |
Guitars, Synthesizers,
Bass,Vocals |
Michael Sembello |
Percussion |
Rachedi Klifa |
Saxophones |
Mimram Pierre, Alain
Hatot |
Guitars |
Daniel Gonzales Manzanas,
Manuel Delgado |
Synthesizers |
Ronny Gold |
Bass |
Mekkaoui Naceur |
Trombone |
Jacques Bolognesi |
Trumpet |
Phillipe Slominiski |
Timpales |
Michael Abihssira |
Cuivres |
Kako, Alex &
Eric |
Violin &
Mandolin |
Maurice Sellem |
1) El Nino Del
Viento |
2) La Cubanila |
3) Santa Maria |
4) Romance Anonimo |
5) Cae La Nieve |
6) Mizai Mizai |
7) Vagabundo |
8) Vivire Para Ti |
9) Somos Gitanos |
10) Una Muchacha |
11) Me Encuentro En Tu
Desierto |
12) Mi... Angel |
~ Christopher
Ruel ~ www.ChrisRuel.com ~ Chris@ChrisRuel.com ~ Chris Ruel's Monthly Spotlight

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