Brothers, Trent Gardner on
vocals and keys and Wayne Gardner on guitars and bass team up
with Joe Franco on drums, as well as a number of notable guest
spots including Jethro Tull's Ian Anderson on flute and
neoclassical guitar master George Bellas on lead guitar. Also,
rounding out the line up, Tony Levin makes a guest appearance on
bass as does Robert Berry on guitar. Hundred
Year Flood is a concept album formulated in
a progressive rock format that features progressive instrumental
work fitted within a song format. The format itself is
interesting because it combines some progressive, lead-intensive
segments into the vocal-centric arrangements that are sometimes
reminiscent of ELP's progressive format and sound. The album
itself is a tribute to the older brother of Trent and Wayne
Gardner who died in the Vietnam war. The lyrics on the album are
centered primarily around this topic and related ideas that give
the music its drive and purpose. There are a number of
spots on the album that shine brightly. The outstanding guitar
work on the sixth and thirteenth tracks of "The Great
Goodnight" is conspicuously the work of George Bellas. These
segments pull the effort up to another level and though
conspicuous, it is well integrated. There are also a number of
other sections in "The Great Goodnight" that the
keyboards and composition elevate this arrangement to a
gratifying level. Ian Anderson's impressive flute soloing on the
instrumental "Family Jewels" reminds us that he can
still produce quality music. This instrumental track is a solid
composition with an Ian Anderson flavor that should be of
interest to fans of instrumental progressive rock. The final
track, "Brother's Keeper", seemed to be anticlimatic
relative to the shadow that was cast over it by the intensive
leadwork of Bellas and Anderson that preceded it. Overall, Hundred
Year Flood is a worthwhile album for fans
of prog rock. Though it is not characterized by the intensity of
leading edge, strictly instrumental music, the degree of
instrumentalism in this album is notable, especially the sections
featuring Bellas and Anderson. For progressive rock of this
concept format variety, the intensity of the instrumentation and
composition is beyond what is commonly found. So, fans of prog
rock that are looking for a little higher octane might want to
check this one out!
Review: Magellan – Impossible Figures (Promotional CD)
Genre: Progressive Rock
Record company: Insideout Records (Copyright 2003)
More information: www.insideout.de
By: Doug Millaway
This collection of nine compositions is a rather intriguing venture
into the world of progressive rock. The very first observation I made as
I listened was how in the world did two guys think all this stuff up?
Magellan features the dynamic vocals of Trent Gardner. He has a
powerful voice that is enhanced by excellent harmony structure. In addition
to providing vocals, Trent also contributes keyboards, and trombone.
(To be honest, I think he should have left his trombone at home because
all of the other instrumentation just wipes it out.)
Magellan’s other member is Wayne Gardner. Wayne provides the high
quality guitar and bass work as well as pitching in on vocals. The range
of tones that Wayne brings to the table really sends much of the
material to another level. You can tell that Wayne is both the bassist and
the guitarist, because the two instruments compliment each other
throughout the CD.
Personally, I thought the initial tracks of the CD were a bit slow in
developing. Track two is titled Killer of Hope, and it lasts for just
over 10 minutes. I’m not sure we needed that much time to get the
point, but some folks will see it differently I’m sure.
It wasn’t until track four that I started to get really interested.
Late For Church is where this CD begins to take on a life of its own.
This is a great piece with excellent musicianship and vocals to match.
Listening closely to the lyrics will certainly allow you to begin to
understand the conceptual framework of the project.
Confessor’s Overture (track 5) could almost pass as a modern day YES
track. It is a very accomplished piece with fine playing throughout.
Trent’s keyboard work in this piece is quite interesting.
The following two tracks entitled Hymn for a Heathen and A World Groove
combine to form an extremely dynamic 9:45 of music. These two songs
alone are worth the price of the CD in my opinion. A World Groove in
particular presents an accomplishment in production and mixing that is
second to none. Some of the guitar and bass licks will astound you.
Most bands don’t like comparisons, but Counterpoints (track 8) sure
shows the influence that Queen had on this band’s development. Still, the
Gardners spin their own magic and create a tune that stands on its own.
Overall, I think this CD is a winner. If this band continues to
improve in the future, we are in for a real treat. My recommendation is just
buy it. You won’t be disappointed.
Ratings:
8 out of 10 for musicianship (instrumental, vocals, programming)
10 out of 10 for production (arranging, engineering)
8 out of 10 for presentation (song order, packaging, etc.)
Artist: Magellan
Title: Impossible Figures
Genre: Rock/Progressive, Metal
Label: Inside Out/SPV-www.insideoutmusic.com
Website: www.magellanweb.com
What a great name for a group, Magellan, and what stunning, colorful, thought provoking artwork for
an album cover. So what is inside you say? There is more to this band than a name and images…oh
yes, so much more. I am very impressed with this group's musical endeavors. They personify the word
progressive.
The Gardner brothers Trent (keyboards, vocals) and Wayne (bass, guitar, vocals), are the clock that
makes Magellan tick. They get a special hand this time around with their new album Impossible
Figures from musical genius Robert Berry, Jeff Curtis with the brass arrangements, and guest
musician Jason Gianna on drums, other than that, it's the world of the Gardner's brought to you
through musical soundscapes that challenge and mesmerize you in each track.
This kind of music I have to listen to over and over again to gather my thoughts, there is just so much
going on its mind-boggling at times. I know I say that frequently about prog-rock but that is
commonplace when it comes to taking in this type of music. When you think about two men putting
together their talents to come up with this awesome knock out sound, it really blows your mind. "Killer
of Hope" is a testament to their worthiness as world-class musicians and writers of complex
compositions. The catch all in their music is the way it changes so quickly. Trent will play a beautifully
classical passage on his keyboards, quickly it shifts to Wayne banging out sweeping and crushing
blows from his six-string, then suddenly it all comes together creating a supernova of musical bliss. It is
like watching a volcano flowing from far away, it looks like its moving slow, then you find yourself
standing right at the edge of the opening at the top of the mountain were the explosion is forcing out
the hot molten lava from the center of the earth incredibly fast. That is what Magellan's music is like.
Now that is powerful.
Does this sound exciting? Is it something you think that you would like? If you can envision music
sounding like this then you will get off on this album time after time, I certainly did. Like progressive
rock? This band is one of very best in the world so get this CD.
©"Keith "MuzikMan" Hannaleck
November 12, 2003
1. Gorilla With a Pitchfork - 1:24
2. Killer of Hope - 10:03
3. Bach 16 - 2:46
4. Late for Church - 6:15
5. Confessor's Overture - 2:24
6. Hymn for a Heathen - 3:15
7. A World Groove - 6:30
8. Counterpoints - 5:59
9. Feel the Cross - 6:36
Rating- 5 / 5
Credits:
Robert Berry - Drum Sound Supervision, Guest Appearance
Trent Gardner - Trombone, Keyboards, Vocals, Producer
Wayne Gardner - Bass, Guitar, Vocals (bckgr)
Jeff Curtis - Brass Arrangement
Guest Musician:
Jason Gianni - Drums
Magellan:
Hundred Year Flood
2002, Magna Carta, MA 9045 2
CyberHome: http://www.MagnaCarta.net
Players:
Keyboards, Vocals, Trombone
Trent Gardner
Guitars, Bass
Wayne Gardner
Drums, Percussion
Joe Franco
Bass
Tony Levin
Flute
Ian Anderson
Guitars, Bass
Robert Berry
Guitar
George Bellas
Tracks:
1 - 13) The Great Goodnight
14) Family Jewels
15) Brother's Keeper
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